The weather was the first surprise of the weekend. Friday offered a cool, even breezy afternoon at the Napa Valley Expo that turned to a chilly evening. Five stages, including one for VIP ticket holders only, played to 24 bands throughout the day. It was a relatively calm affair that would see less attendees than following day, but for the most part, the logistical aspects of food and drink lines and bathroom cleanliness was kept in good order. Some festivalgoers themselves, even, helped throw away garbage and just be generally decent—maybe Headliners like the Cure and Sublime with Rome (the guy, not the city) simply brought out equal parts of older and more sedated fans who were content to throw down blankets and relax.
Jewish reggae-rapper Matisyahu delivered an effortless and nicely rocking set of smooth jams and authentic beats, many from his upcoming album, “Akeda,” released this week. TV on the Radio wowed me with a continuously intensifying set of eclectic indie rock and soulful electro pop. Gin Blossoms brought the “county fairgrounds” vibe to, well, the county fairgrounds. Overall, crowds seemed to care about the fact that ‘90s radio rock leftovers filled out the lineup. They sang along with “Follow You Down,” and clapped, mostly in time, with the band through their back catalogue of, ahem, lesser-known hits.
The Cure really was the gem of this show. They are one of my longtime favorites, yet I’ve only been able to see them live twice before, and it’s been 7 or 8 years since the last time. They were amazing. No way around it. They sounded perfect, and their set list was a mash of surprises and staples from 30 plus years of new wave, postpunk, emo-goth melodic pop angst. Robert Smith’s hair was a glorious tangled web of Aqua Net, and Napa winds and Simon Gallup’s tight denim and slicked back hair still make him look like he stepped out of a 1982 Clash video.
The Cure opened with “Shake Dog Shake,” a surprise choice off their 1985 album, The Top. They played for two-and-a-half hours with hits old and new, making me realize how much I do, in fact, like their more recent material—pitch-perfect pops songs and raw, soaring rock riffs alike. It was only when the festival had to cut the power at 10pm (the price one pays for hosting an outdoor fest in a Napa neighborhood) that the Cure finally left the stage, and only after the crowd of about 10,000 helped Smith finish singing the band’s encore of “Why Can’t I Be You?”